see the album
Benny is a Welsh coal miner. He is a radio ham. He is 23 years old,
married to Molly. They have a son, young Ben, aged 4, and a new baby.
They look after Benny's twin brother Billy, who is apparently a
vegetable. The mine is closed by the market forces. The Male Voice
Choir stops singing, the village is dying.
One night Benny takes Billy on a pub crawl. Drunk in a brightly-lit
shopping mall, Benny vents his anger on a shop window full of multiple
TV images of Margaret Thatcher's mocking condescension. In defiance,
he steals a cordless 'phone. Later that night, Benny cavorts
dangerously on the parapet of a motorway footbridge, in theatrical
protest at the tabloid press. That same night, a cab driver is killed
by a concrete block dropped off a similar bridge.
The police come to question Benny; he hides the cordless 'phone under
the cushion of Billy's wheelchair.
Billy is different, he can receive radio waves directly without the
aid of a tuner; he explores the cordless 'phone, recognizing its
radioness. Benny is sent to prison. Billy feels as if half of him
has been cut off. He misses Benny's nightly conversations with radio
hams in foreign parts. Molly, unable to cope, sends Billy to stay
with his Great Uncle David, who had emigrated to the USA during the
war. Much as Billy likes Uncle David and the sunshine and all the new
radio in LA, he cannot adjust to the cultural upheaval and the loss of
Benny, who for him is 'home'.
Uncle David, now an old man, is haunted by having worked on the
Manhattan project during World War II, designing the Atom Bomb, and
seeks to atone. He also is a radio ham; he often talks to other hams
about the Black Hills of his youth, the Male Voice Choir, about home.
He is saddened by the use of telecommunication to trivialise important
issues, the soap opera of state. However, Live Aid has decynicised
him to an extent. Billy listens to David and hears the truth the old
Billy experiments with his cordless 'phone, he learns to make calls.
He accesses computers and speech synthesizers, he learns to speak.
Billy makes contact with Jim a DJ at Radio KAOS, a renegade rock
station fighting a lone rear guard action against format radio. Billy
and Jim become radio friends, Reagan and Thatcher bomb Lybia. Billy
perceives this as an act of political "entertainment" fireworks to
focus attention away from problems at "home".
Billy has developed his expertise with the cordless 'phone to the
point where he can now control the most powerful computers in the
world. He plans an "entertainment" of his own. He simulates nuclear
attack everywhere, but de-activates the military capability of "the
powers that be" to retaliate. In extremes perceptions change, Panic,
comedy, compassion. In a SAC bunker a soldier in a white cravat turns
a key to launch the counter attack. Nothing happens; impotently he
kicks the console, hurting his foot. He watches the approaching blips
on the radar screen. As impact approaches, he thinks of his wife and
kids, he puts his fingers in his ears.
Silence. White out. Black out. Lights out. It didn't happen, we're
still alive. Billy has drained the earth of power to create his
illusion. All over the dark side of the earth, candles are lit. In
the pub in Billy's home village in Wales one man starts to sing; the
other men join in. The tide is turning.
Billy is home.